Name: 4.3.2: Umano, troppo umano ; Frammenti postumi (1878-1879)
Author: 84561

4.3.2: Umano, troppo umano ; Frammenti postumi (1878-1879)

Nietzsche, Friedrich

Adelphi 1967

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Opere di Friedrich Nietzsche , 4, 3

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Friedrich Nietzsche

Birth
15-10-1844

Death
25-08-1900

Pseudonym

Forename

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Friedrich Wilhelm Nietzsche (/ˈniːtʃə, -tʃi/; German: [ˈfʁiːdʁɪç ˈvɪlhɛlm [...]

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Friedrich Wilhelm Nietzsche (/ˈniːtʃə, -tʃi/; German: [ˈfʁiːdʁɪç ˈvɪlhɛlm ˈniːtʃə] or [ˈniːtsʃə]; 15 October 1844 – 25 August 1900) was a German philosopher, prose poet, cultural critic, and philologist whose work has exerted a profound influence on Contemporary philosophy. He began his career as a classical philologist before turning to philosophy. He became the youngest person ever to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24. Nietzsche resigned in 1879 due to health problems that plagued him most of his life; he completed much of his core writing in the following decade. In 1889, at age 45, he suffered a collapse and afterward a complete loss of his mental faculties, with paralysis and probably vascular dementia. He lived his remaining years in the care of his mother until her death in 1897 and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900, after experiencing pneumonia and multiple strokes . Nietzsche's writing spans philosophical polemics, poetry, cultural criticism, and fiction while displaying a fondness for aphorism and irony. Prominent elements of his philosophy include his radical critique of truth in favor of perspectivism; a genealogical critique of religion and Christian morality and a related theory of master–slave morality; the aesthetic affirmation of life in response to both the "death of God" and the profound crisis of nihilism; the notion of Apollonian and Dionysian forces; and a characterization of the human subject as the expression of competing wills, collectively understood as the will to power. He also developed influential concepts such as the Übermensch and his doctrine of eternal return. In his later work, he became increasingly preoccupied with the creative powers of the individual to overcome cultural and moral mores in pursuit of new values and aesthetic health. His body of work touched a wide range of topics, including art, philology, history, music, religion, tragedy, culture, and science, and drew inspiration from Greek tragedy as well as figures such as Zoroaster, Arthur Schopenhauer, Ralph Waldo Emerson, Richard Wagner and Johann Wolfgang von Goethe. After his death, Nietzsche's sister Elisabeth became the curator and editor of his manuscripts. She edited his unpublished writings to fit her German ultranationalist ideology, often contradicting or obfuscating Nietzsche's stated opinions. Through her published editions, Nietzsche's work became associated with fascism and Nazism; Nietzsche's thought enjoyed renewed popularity in the 1960s and his ideas have since had a profound impact on 20th- and early 21st-century thinkers across philosophy—especially in schools of continental philosophy such as existentialism, postmodernism and post-structuralism—as well as art, literature, poetry, politics, and popular culture. [^]

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4.3.2: Umano, troppo umano ; Frammenti postumi (1878-1879)

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