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Catalogue

Fulci, Lucio

Person

Dates 1927-1996

Country ITALY

Author of 9 resources

is subject of 1 resources

1927-1996 // Giornalista, documentarista, sceneggiatore spesso con Steno, regista poi specializzatosi nell'horror, ha scritto due successi di Celentano. Nato e morto a Roma.

Birth 17-06-1927 Death Rome Italy,  13-03-1996

Lucio Fulci (Italian: [ˈlutʃo ˈfultʃi]; 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and Spaghetti Westerns, he garnered an international cult following for his giallo and horror films. [...]

Sources

Bibliografia nazionale italiana: nuova serie del bollettino delle pubblicazioni italiane ricevute per diritto di stampa a cura della Biblioteca nazionale centrale di Firenze. A. 1, n. 1 (gen. 1958)- Firenze, Centro nazionale per il catalogo unico delle biblioteche italiane e per le informazioni bibliografiche, 1958- (CDROM , Autore non trovato

Di Giammatteo, Fernaldo, Dizionario universale del cinema, Roma, Editori riuniti, 1984-1985.

  • Scheda dati autore (per debug... da rimuovere)

      Scheda dati autore

    id: TSA00477716
    name: Fulci, Lucio
    type: P
    date: 1927-1996
    nt: 1927-1996 // Giornalista, documentarista, sceneggiatore spesso con Steno, regista poi specializzatosi nell'horror, ha scritto due successi di Celentano. Nato e morto a Roma.
    vid: CFIV131736
    placeBirth: ITALY
    dbpedia_absent: false
    viafUri: null5117589
    placeBirth: ITALY

    === LOD ===

    source: BNF
    uri: https://catalogue.bnf.fr/ark:/12148/cb138942083

    source: GND
    uri: http://d-nb.info/gnd/12938271X

    source: LC
    uri: https://id.loc.gov/authorities/nr94025486

    source: VIAF
    uri: null5117589

    source: WIKI
    uri: nullQ345217

    source: SBN
    uri: nullCFIV131736

    === REPE ===

    sigla: BNI
    ds: Bibliografia nazionale italiana: nuova serie del bollettino delle pubblicazioni italiane ricevute per diritto di stampa a cura della Biblioteca nazionale centrale di Firenze. A. 1, n. 1 (gen. 1958)- Firenze, Centro nazionale per il catalogo unico delle biblioteche italiane e per le informazioni bibliografiche, 1958- (CDROM
    citaz: Autore non trovato
    url: null

    sigla: DIDUC
    ds: Di Giammatteo, Fernaldo, Dizionario universale del cinema, Roma, Editori riuniti, 1984-1985.
    citaz:
    url: null

    === LUCENE ===
    nDoc: 9
    nDocED: 0
    nDocPO: 0
    nDocSo: 1
    nDocIM: 0

    === DATI WIKI ===
    Luogo Morte: Rome Italy
    Data Nascita: 17-06-1927
    Data Morte: 13-03-1996
    RifWiki: http://en.wikipedia.org/wiki/Lucio_Fulci
    Descrizione: Lucio Fulci (Italian: [ˈlutʃo ˈfultʃi]; 17 June 1927 – 13 March 1996) was an Italian film director, screenwriter, and actor. Although he worked in a wide array of genres through a career spanning nearly five decades, including comedies and Spaghetti Westerns, he garnered an international cult following for his giallo and horror films. His most notable films include the "Gates of Hell" trilogy—City of the Living Dead (1980), The Beyond (1981), and The House by the Cemetery (1981)—as well as Massacre Time (1966), One on Top of the Other (1969), Beatrice Cenci (1969), A Lizard in a Woman's Skin (1971), Don't Torture a Duckling (1972), White Fang (1973), Four of the Apocalypse (1975), Sette note in nero (1977), Zombi 2 (1979), Contraband (1980), The New York Ripper (1982), Murder Rock (1984), and A Cat in the Brain (1990). Although a number of films over the years were said to have been "co-produced" by Fulci, he was just allowing them to use his name to promote the films (with the exception of City of the Living Dead, which he did actively attempt to obtain some funding for). Owing to his brand of expressive visuals and unconventional storytelling, Lucio Fulci has been called "The Poet of the Macabre" by genre critics and scholars, originally a reference to Edgar Allan Poe, whose work he freely adapted in The Black Cat (1981). The high level of graphic violence present in many of his films, especially Zombi 2, The Beyond, Contraband and The New York Ripper, has also earned him the nickname "The Godfather of Gore", which he shares with Herschell Gordon Lewis.
    Contatore: 5